MOTU Audio Express User's Guide Page 46

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REDUCING MONITORING LATENCY
46
MONITORING LIVE INPUT
There are two ways to monitor live audio input
with an 4pre: 1) through the computer or 2) via the
4pre’s CueMix hardware mixer. Figure 8-1 below
shows method 1, which allows you to add effects
processing such as reverb and guitar amp effects
via plug-ins in your audio software. See the next
section,Adjusting the audio I/O buffer” for details
about how to reduce — and possibly eliminate —
the audible monitoring delay that the computer
introduces.
Figure 8-2 shows how to use CueMix hardware-
based monitoring, which lets you hear what you are
recording with no monitoring delay and no
computer-based effects processing. Instead, input
is routed directly to an output. See “CueMix
hardware monitoring” later in this chapter for
details on how to use CueMix with your audio
software, or with the included CueMix FX
software.
If the material you are recording is suitable, there is
a third way to monitor live input: use both methods
(Figure 8-1 and Figure 8-2) at the same time. For
example, you could route guitar to both the
computer (for an amp model effect) and mix that
processed signal on the main outs with dry guitar
from CueMix.
1. Live input (from mic,
guitar, etc.) enters the
MOTU interface.
PC
2. Mic signal goes immedi-
ately to the computer (dry,
with no effects processing).
3. Mic signal is
‘patched thru’ back to
the audio interface
with reverb or other
plug-in effects, if any.
Figure 8-1: There are two ways to monitor live audio inputs with an 4pre: 1) through the computer or 2) via CueMix hardware monitoring. This
diagram shows method 1 (through the computer). When using this method, use your host software’s buffer setting to reduce the slight delay
you hear when monitoring the live input, but don’t lower it too much, or your computer might get sluggish.
4. Mic signal (with plug-in
processing, if any) is routed to the
main outs (or other outputs that
you’ve specified in the software).
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