MOTU Audio Express User's Guide Page 78
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MOTU SMPTE CONSOLE
78
SYNCING TO SMPTE TIME CODE
The Audio Express system can resolve directly to
SMPTE time code. It can also generate time code,
under its own clock or while slaving to time code.
Therefore, the Audio Express can act both as an
audio interface and as a SMPTE time code
synchronizer to which you can slave other devices.
You can use the Audio Express to slave your audio
software to time code as well, as long as your
software supports sample-accurate sync, which is
the means by which the software follows the Audio
Express. The accuracy may not be sample-
accurate, but in most cases it will be very close.
Figure 11-3: Connections for synchronizing the
Audio Express directly to SMPTE time code.
Choose SMPTE as the clock source in MOTU
Audio Setup. This setting can also be made in
the MOTU SMPTE Console (shown below).
SMPTE time code source
audio cable bearing LTC
(Longitudinal Time Code)
FireWire/USB cable
Launch the MOTU SMPTE Console and specify the SMPTE Source,
which is the interface receiving the SMPTE time code. Also,
confirm that the Clock Source/Address is SMPTE/SMPTE.
Windows computer running Cubase or
other sample-accurate ASIO software
In Cubase, go to the Synchronization window and
choose ASIO Audio Device as the Timecode Base.
Audio Express interface
Any analog input
quarter-inch jack
Use this setup if you have:
✓ A SMPTE time code source, such as a multitrack tape deck.
✓
An Audio Express by itself, OR with another slaved device
(such as a digital mixer).
✓ Host software that supports sample-accurate sync.
This setup provides:
✓ Continuous sync to SMPTE time code.
✓ Sub-frame timing accuracy.
✓ Transport control from the SMPTE time code source.
- Audio Express 1
- Contents 3
- 2 4 5 6 7 8 9 10 5
- How to access these settings 7
- About the Audio Express 9
- Connection Input Output 10
- Total 6 6 10
- THE AUDIO EXPRESS FRONT PANEL 11
- 16-BIT AND 24-BIT RECORDING 11
- CUEMIX MIXING AND EFFECTS 12
- HOST AUDIO SOFTWARE 12
- Requirements 13
- Software Installer First 15
- Installing the Audio Express 17
- Hardware 17
- FireWire 18
- Input 48V Pad Trim 20
- CONNECT MIDI GEAR 21
- POWER OPTIONS 22
- Voltage Amperage 23
- A TYPICAL AUDIO EXPRESS SETUP 24
- MOTU Audio Console 27
- ‘GENERAL’ TAB SETTINGS 28
- MOTU AUDIO CONSOLE 29
- ‘AUDIO EXPRESS’ TAB SETTINGS 30
- Front Panel Operation 31
- MIXING WITH THE FRONT PANEL 32
- CONTROLS 32
- Do this To do this 33
- METERING AND ACTIVITY LEDS 34
- RESTORING FACTORY DEFAULTS 34
- ASIO Software 35
- CHOOSING THE MOTU ASIO DRIVER 37
- SYNCHRONIZATION 39
- MIDI I/O 39
- 24-BIT OPERATION 39
- SONAR and other WDM Software 41
- SONAR AND OTHER WDM SOFTWARE 42
- AND OUTPUTS 43
- Reducing Monitoring Latency 45
- MONITORING LIVE INPUT 46
- CUEMIX HARDWARE MONITORING 48
- REDUCING MONITORING LATENCY 49
- REDUCING MONITORING LATENCY 50
- CueMix FX 51
- CUEMIX FX 52
- WORKING WITH A MIX 53
- SHORTCUTS 54
- INFO DISPLAY 54
- TALKBACK AND LISTENBACK 54
- CUEMIX FX 55
- SCOPE CHANNEL SELECTION 56
- FILE MENU 56
- EDIT MENU 56
- DEVICES MENU 57
- FFT ANALYSIS / SPECTROGRAM 57
- Pause button 58
- Display options 58
- Silence Full scale 58
- OSCILLOSCOPE 59
- moves the line marking time 60
- moves the line 60
- Trigger indicator 61
- Trigger menu 61
- Criteria check boxes 61
- Trigger mode What it does 62
- Color Status 62
- X-Y PLOT 65
- PHASE ANALYSIS 68
- Figure 10-29: Filters 70
- Polar view 71
- Rectangular 71
- Inverted 71
- CONFIGURATIONS MENU 72
- TALKBACK MENU 73
- PHONES MENU 73
- CONTROL SURFACES MENU 73
- MOTU SMPTE Console 75
- READER SECTION 76
- GENERATOR SECTION 77
- SMPTE TIME CODE 77
- SYNCING TO SMPTE TIME CODE 78
- CUSTOMER SUPPORT 80
- REPLACING DISKS 80
- TECHNICAL SUPPORT 80
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