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REDUCING MONITORING LATENCY
63
audio software provides. But for inputs that don’t
need these types of features, CueMix DSP is the
way to go.
On the other hand, if you really need to use the
mixing and processing provided by your audio
software, you should not use CueMix DSP. Instead,
reduce latency with the buffer setting (as explained
earlier in this chapter).
TWO METHODS FOR CONTROLLING
CUEMIX DSP
There are two ways to control CueMix DSP:
■ With CueMix Console
■ From within your host audio software (if it
supports direct hardware monitoring)
Yo u c a n e v e n u s e b o t h methods simultaneously.
Using CueMix Console
If your host audio software does not support direct
hardware monitoring, you run CueMix Console
side-by-side with your audio software and manage
your monitor mix in CueMix Console.
CueMix Console allows you to create up to four
separate 896HD monitor mixes, or any other
desired routing configurations. These routings are
independent of your host audio software. For
complete details, see chapter 9, “CueMix Console”
(page 65).
Controlling CueMix DSP from your audio
software
Some ASIO-compatible audio applications, such as
Cubase and Nuendo, allow you to control CueMix
DSP monitoring from within the application
(without the need to use CueMix Console). In
most cases, this support consists of patching an
896HD input directly to an output when you
record-arm a track. Exactly how this is handled
depends on the application.
CueMix DSP routings that are made via host
applications are made “under the hood”, which
means that you won’t see them in CueMix Console.
However, CueMix DSP connections made inside
your host audio software dovetail with any other
mixes you’ve set up in CueMix Console. For
example, if your host application routes audio to an
output pair that is already being used in CueMix
Console for an entirely separate mix bus, both
audio streams will simply be merged to the output.
Follow the directions below in the section that
applies to you.
Controlling CueMix DSP from within Cubase or
Nuendo
To t u r n o n CueMix in Cubase VST, enable the ASIO
Direct Monitor check box in the Monitoring section
of the Audio System Setup window (Figure 6-2 on
page 45). In Cubase SX or Nuendo, enable the
Direct Monitoring check box in the Device Setup
VST Multitrack tab (Figure 6-2 on page 45).
Other ASIO 2.0-compatible host software
If your ASIO-compatible host audio software
supports ASIO’s direct monitoring feature, consult
your software documentation to learn how to
enable this feature. Once enabled, it should work
similarly as described for Cubase (as explained in
the previous section).
Using CueMix DSP with WDM- or Wave-
compatible software
Run CueMix Console (chapter 9, “CueMix
Console” (page 65)) and use it to route live inputs
directly to outputs, control their volume and
panning, etc. If necessary, you can save your
CueMix Console setup with your project file.
- MOTU 896HD 1
- Quick Reference: 7
- About the 896HD 9
- Connection Input Output 10
- Total 18 22 10
- THE 896HD FRONT PANEL 11
- 16-BIT AND 24-BIT RECORDING 12
- HOST AUDIO SOFTWARE 12
- A COMPUTER-BASED SYSTEM 12
- Packing List and 13
- Windows System Requirements 13
- IMPORTANT! Run the 896HD 15
- Software Installer First 15
- MOTU FIREWIRE AUDIO CONSOLE 16
- MOTU GSIF FIREWIRE DRIVER 16
- CUEMIX CONSOLE 16
- Installing the 896HD Hardware 17
- INSTALLING THE 896HD HARDWARE 18
- CONNECT A FOOT SWITCH 19
- USING THE 896HD WITH A MIXER 20
- MAKING SYNC CONNECTIONS 21
- DO YOU NEED A SYNCHRONIZER? 22
- SAMPLE-ACCURATE SYNC 23
- SAMPLE-ACCURATE ADAT SYNC 24
- SYNCHRONIZER 25
- Use this setup if you have: 26
- This setup provides: 26
- SYNCING OPTICAL DEVICES 27
- SYNCING AES/EBU DEVICES 28
- ■ Clock source 29
- ■ Sample rate conversion 29
- SYNCING WORD CLOCK DEVICES 31
- SYNCING LARGE SYSTEMS 32
- INTERFACES 33
- MOTU FireWire Audio Console 35
- ‘GENERAL’ TAB SETTINGS 36
- MOTU FIREWIRE AUDIO CONSOLE 37
- 896HD TAB SETTINGS 40
- Software 43
- NUMBER OF CHANNELS 45
- ASIO DIRECT MONITORING 46
- OTHER SYSTEM DIALOG SETTINGS 46
- ACTIVATING 896HD INPUTS 46
- ASSIGNING INPUTS 47
- TRIMMING THE ANALOG INPUTS 47
- ASSIGNING OUTPUTS 48
- CHANGING 896HD SETTINGS 49
- SYNCHRONIZATION 49
- Cubase VST 50
- Nuendo or Cubase SX 50
- MIDI MACHINE CONTROL (MMC) 51
- USING A FOOT SWITCH 51
- 24-BIT OPERATION 51
- MONITORING SYSTEM PERFORMANCE 51
- Sonar and other WDM Software 53
- AUDIO CONSOLE 54
- WDM DRIVER 55
- OTHER AUDIO OPTIONS 56
- SONAR AND OTHER WDM SOFTWARE 57
- SONAR AND OTHER WDM SOFTWARE 58
- Reducing Monitoring Latency 59
- MONITORING LIVE INPUT 60
- REDUCING MONITORING LATENCY 61
- TWO METHODS FOR CONTROLLING 63
- CUEMIX DSP 63
- REDUCING MONITORING LATENCY 64
- CueMix Console 65
- CUEMIX CONSOLE INSTALLATION 66
- WORKING WITH A MIX 66
- Action Result 67
- Shortcut Result 68
- PHONES MENU 69
- CONTROL SURFACES MENU 69
- STAND-ALONE OPERATION 71
- CUEMIX CONSOLE EXAMPLES 71
- CUSTOMER SUPPORT 74
- REPLACING DISKS 74
- TECHNICAL SUPPORT 74
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