MOTU UltraLite User's Guide Page 17
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INSTALLING THE ULTRALITE HARDWARE
17
the input. The independent three-way pad switch
for each input provides zero (down), 18dB
(middle) and 36dB (up) pad settings for the XLR
jack. When combined with the 24dB digital trim,
the full gain range is 60dB. This is the difference
between the minimum (trim at zero + pad at 36dB)
and maximum (trim at 24dB + pad at zero) gain
settings.
Combo jack summary
Use these general guidelines for the 48V phantom
power, pad and trim settings on the two combo
input jacks:
Quarter-inch analog
The quarter-inch analog inputs (3-8) and outputs
(1-8 plus main out) are balanced TRS connectors
that can also accept an unbalanced plug.
The outputs are all referenced to +4dBu.
The reference level for the inputs can be adjusted
over an 18dB range with the same general trim
guidelines as shown earlier for the mic/instrument
inputs. Trims for each input (or input pair) can be
adjusted from the MOTU CueMix Console or the
front panel. To learn how to adjust trim from
CueMix Console, see “Input trim and phase invert”
on page 61. To learn how to adjust trim from the
font panel, see “PAGE” on page 37.
Separate main outs
The main outputs operate as an independent pair
(they don’t share signal with any other output
pair). In a standard studio configuration, the main
outs are intended for a pair of studio monitors, but
they can also be used as regular outputs for any
purpose. Their reference level is +4dB. Main out
volume is controlled by the MAIN VOL knob on
the front panel, although this knob can be
configured to control other outputs instead.
S/PDIF
If you make a S/PDIF digital audio connection to
another device, be sure to review the digital audio
clocking issues, as explained in “Connecting and
syncing S/PDIF devices” on page 21.
The UltraLite on-board mixer also supplies 12dB
of digital trim for the S/PDIF input pair, which can
be adjusted from CueMix Console or the front
panel. To learn how to adjust S/PDIF input trim
from CueMix Console, see “Input trim and phase
invert” on page 61. To learn how to do it from the
font panel, see “PAGE” on page 37.
CONNECT MIDI GEAR
Connect your MIDI device’s MIDI IN jack to the
UltraLite’s MIDI OUT jack (Connection A below).
Conversely, connect the MIDI device’s MIDI OUT
jack to the UltraLite’s MIDI IN jack (Connection
B).
Figure 3-2: Connecting a MIDI device to the UltraLite.
Input 48V Pad Trim
Condenser mic On As needed As needed
Dynamic mic Off As needed As needed
Guitar Off n/a As needed
-10dB Line level via TRS Off n/a As needed
-10dB Line level via XLR Off 36dB +12dB
+4dB line level (XLR only) Off 36dB Zero
UltraLite
rear panel
MIDI Device
MIDI
cables
MIDI
IN
MIDI
OUT
MIDI
OUT
MIDI
IN
Connection A
Connection B
!UltraLite Manual/Mac Page 17 Monday, September 12, 2005 6:52 PM
- UltraLite 1
- Contents 3
- About the UltraLite 9
- THE ULTRALITE FRONT PANEL 10
- 16-BIT AND 24-BIT RECORDING 11
- AUDIODESK 11
- DIGITAL PERFORMER 11
- OTHER HOST AUDIO SOFTWARE 11
- A COMPUTER-BASED SYSTEM 11
- ABOUT THE ULTRALITE 12
- Requirements 13
- OVERVIEW 15
- CONNECT MIDI GEAR 17
- POWER OPTIONS 18
- Voltage Amperage 19
- A TYPICAL ULTRALITE SETUP 20
- INTERFACES 21
- Software 25
- Audio MIDI Setup 26
- MOTU CUEMIX CONSOLE 27
- MOTU Audio Setup 29
- ‘ULTRALITE’ TAB SETTINGS 30
- MOTU AUDIO SETUP 31
- ‘GENERAL’ TAB SETTINGS 32
- PUSH-BUTTON ROTARY ENCODERS 33
- MULTI-FUNCTION LCD DISPLAY 33
- MAIN VOLUME 34
- POWER SWITCH 34
- PAGE/SETUP 34
- To do this: Do this: 36
- CURSOR / VALUE 37
- STAND-ALONE OPERATION 37
- Digital Performer 39
- 24-BIT OPERATION 41
- AudioDesk 43
- AUDIODESK 45
- Other Mac OS X Software 47
- AUDIO DRIVER 48
- OTHER MAC OS X SOFTWARE 49
- AUDIO INPUT AND OUTPUT NAMES 50
- NUMBER OF CHANNELS 51
- OTHER MAC OS X SOFTWARE 52
- Reducing Monitoring Latency 53
- MONITORING LIVE INPUT 54
- ■ Patch thru latency 56
- REDUCING MONITORING LATENCY 58
- MOTU CueMix Console 59
- CUEMIX CONSOLE INSTALLATION 60
- WORKING WITH A MIX 60
- SHORTCUTS 61
- ENTIRE MIXES 61
- MESSAGE CENTER 61
- INPUT TRIM AND PHASE INVERT 61
- EDIT CHANNEL NAMES 63
- TALKBACK AND LISTENBACK 63
- PEAK HOLD TIME 64
- MIX1 RETURN INCLUDES COMPUTER 65
- SHOW METER IN DOCK ICON 65
- PHONES MENU 65
- CONTROL SURFACES MENU 65
- Troubleshooting 67
- TROUBLESHOOTING 68
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