MOTU Digital Timepiece User's Guide Page 7

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ABOUT THE DIGITAL TIMEPIECE
7
SONY 9-pin machine control
The Digital Timepiece includes support for the
SONY 9-pin machine control format. You can
connect a SONY 9-pin compatible video deck,
which can then be slaved to the Digital Timepiece.
This allows you to control the video deck, along
with all of your other gear, from your favorite
MMC-compatible computer software or any
MMC-compatible hardware controller.
Conversely, the Digital Timepiece can slave to the
9-pin video deck.
Advanced video features
The Digital Timepiece provides many other
essential video features. The rear panel has two
BNC video jacks (IN and OUT) in addition to its
SONY 9-pin connector. Internally, the Digital
Timepiece has a built-in video sync generator,
which can be synchronized with the Digital
Timepieces audio phase lock engine or run
independently of the Digital Timepieces synchro-
nization features. The VIDEO IN jack allows the
Digital Timepiece to slave to any NTSC or PAL
video source, such as house sync video or VTR
output. The VIDEO OUT jack can display
whatever is being received on the input, or it can
produce blackburst. In either case, the Digital
Timepiece can overlay up to twelve lines of text and
information on its video output signal, including a
large and small SMPTE time code burn-in, status
information (e.g. the Digital Timepieces current
sample rate output), MIDI sequencer triggered
streamers with punch, and numerous lines of user-
programmed text (such as client and project
names). Text lines can be positioned vertically as
desired.
44.1 and 48 kHz with pull up/down
The Digital Timepiece supports 44.1kHz and
48kHz sampling rates. It also supplies 0.1% pull-up
and pull-down at both rates, an essential feature for
those of you who work with film cues that have
been temporarily transferred to video for music
scoring or audio post production. By using a pull-
down rate while working withlm in video format,
you can easily avoid synchronization and drift
problems that arise from the 0.1% speed difference
between the film transfer rate of 30fps and the
NTSC video playback rate of 29.97fps.
Proprietary technology
The Digital Timepiece delivers pristine sound and
an extremely stable, high-resolution digital audio
time base with no dithering, rounding, or software
delays. This level of performance is made possible
by custom-designed VLSI technology and a
proprietary high-frequency phase engine.
Fast lockup time
Depending on the specific scenario in which the
Digital Timepiece is being operated, its lock-up
time can be as fast as one second. Fastest lockup
times are achieved by slaving the Digital Timepiece
to house sync video (“blackburst”) or by running
under its own internal clock. When slaving the
Digital Timepiece to SMPTE or MIDI time code
(without video as a time base), lock up time is
typically 2-4 seconds, depending on the overall
stability of the incoming time code.
Control track
A new, proprietary Mark of the Unicorn synchro-
nization format, called ‘Control Track’, is supplied
via two 8-pin circular DIN sockets on the Digital
Timepiece rear panel. By means of high-resolution
sample address information, Control Track can
synchronize two Digital Timepieces with sample-
accurate timing.
Stand-alone and computer-based operation
The Digital Timepiece can be operated in a
computer-based setup or as a stand-alone
synchronizer. The front panel supplies buttons and
status LEDs for making all of the necessary basic
operational settings. You can choose the overall
operating mode (called the ‘time base mode’), the
sample rate (44.1kHz or 48kHz), sample clock
pull-up or pull-down (0.1%), and SMPTE time
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