MOTU 896HD User's Guide Page 27

  • Download
  • Add to my manuals
  • Print
  • Page
    / 105
  • Table of contents
  • TROUBLESHOOTING
  • BOOKMARKS
  • Rated. / 5. Based on customer reviews
Page view 26
INSTALLING THE 896HD HARDWARE
27
Figure 3-15: When transferring audio without sample rate conver-
sion, two devices must have phased-locked audio clocks to prevent
clicks, pops or other artifacts.
Without sample rate conversion, there are two ways
to achieve phase lock: slave one device to the other,
or slave both devices to a third master clock. If you
have three or more digital audio devices, you need
to slave them all to a single master audio clock.
Figure 3-16: Without sample rate conversion, you need to choose a
clock master to which all other devices slave. Each slaved device
remains continuously resolved to the master, meaning that there will
be no drift over time.
Audio phase lock as shown above in Figure 3-16
can be achieved independently of time code
(location). For example, one device can be the time
code master while another is the audio clock
master. But only one device can be the audio clock
master.
Another benefit of direct master/slave clocking
(without sample rate conversion) is that each
slaved device remains continuously resolved to the
master, which means that there will be no gradual
drift over time. This form of synchronization is
best for audio that needs to remain resolved to film,
video, etc.
Sample rate conversion
With sample rate conversion (SRC), an extra level
of master/slave clocking is added to the equation,
as demonstrated below in Figure 3-17, which
shows the clocking going on when you transfer
digital audio from the 896HD (AES/EBU OUT) to
a DAT deck (AES/EBU IN) using SRC. Notice that
with SRC, the DAT deck is not slaved to the
896HD’s system clock. Instead, their clocks are
running completely independently of one another.
But also notice that the DAT deck must still slave to
the sample-rate-converted output from the 896HD
for a clean digital audio transfer (unless it has its
own sample rate converter on its AES/EBU input).
Figure 3-17: Clock relationships when sending audio from the 896HD
to a DAT deck using sample rate conversion. The DAT deck needs to be
slaving to its AES/EBU input. *Note: the 896HD AES/EBU output can
actually be clocked from a number of different sources. In this
example, it is resolved to the 896HD system clock. For details about
other possible clock sources, see “Clocking scenarios for AES/EBU
output” on page 28.
System clock, AES clock & rate convert settings
When you are setting up AES/EBU input and
output with the 896HD, pay careful attention to the
following settings in the MOTU FireWire Audio
Console (see the quick reference overview on
page 7):
Clock source
Sample rate conversion
These options are mentioned briefly in the
following sections. For further details, see “Clock
Source on page 39 and “Sample Rate Conversion
on page 41.
Not phase-locked Phase-locked
Device A
Device B
Master
Slave
Master
Slave Slave
896HD master clock
Input
clock
Output
clock
896HD Sample
Rate converter
(slaves to 896HD SRC output clock)
(master)
(slaves to 896HD master clock)
DAT deck
(master*)
Page view 26
1 2 ... 22 23 24 25 26 27 28 29 30 31 32 ... 104 105

Comments to this Manuals

No comments