MOTU 896HD User's Guide Page 78
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CUBASE, NUENDO AND OS 9 ASIO SOFTWARE
78
Driver menu as shown below. Make the other
settings in the dialog as needed for your system and
synchronization scenario.
Figure 10-3: Activating the 896HD FireWire ASIO driver in Nuendo
and Cubase.
THE ASIO CONTROL PANEL BUTTON
The Mac version of Cubase VST does not allow the
MOTU FireWire Audio Console to run at the same
time as Cubase. Therefore, the ASIO Control Panel
button in the System dialog as shown in
Figure 10-3 will not launch the MOTU FireWire
Audio Console. In the meantime, you can access
the MOTU FireWire Audio Console in one of two
ways:
■ Quit Cubase, and then run the MOTU FireWire
Audio Console from the Finder, OR
■ Te mp or a r i ly sw i t ch to a different ASIO Device in
the System dialog, and then run the MOTU
FireWire Audio Console from the Finder
In either case, any changes you make to the MOTU
FireWire Audio Console window will be reflected
in Cubase when you reactivate the MOTU FireWire
ASIO driver in Cubase.
NUMBER OF CHANNELS
In Cubase, be sure to choose enough channels in
the System dialog (as shown above in Figure 10-3)
to cover the 18 channels of input and 22 channels of
output provided by your 896HD — although the
number of channels may depend on how your
896HD is configured:
■ 12 channels for analog I/O (including the
headphone out)
■ 2 channels for AES/EBU
■ Zero or 8 channels for optical, depending on
whether you have optical turned off or set to ADAT
optical
For example, if you are using analog only, the
896HD requires a minimum of 12 channels (for 12
channels of output). If you are using analog and
AES/EBU, you need 14 channels.
As another example, if you are using analog,
AES/EBU and ADAT optical, you need 22 channels
(the maximum number of simultaneous output
channels provided by the 896HD).
In Cubase, set the number of channels in the
System dialog (as shown above in Figure 10-3).
ASIO DIRECT MONITORING
The ASIO Direct Monitoring option (Figure 10-3)
allows you to monitor inputs directly in the 896HD
hardware with no drain on your computer and
near zero latency. When you enable this option,
Cubase uses the 896HD’s CueMix DSP monitoring
features whenever you use Cubase’s monitoring
Cubase VST
Nuendo
- MOTU 896HD 1
- Contents 3
- Quick Reference: 7
- About the 896HD 9
- Connection Input Output 10
- Total 18 22 10
- THE 896HD FRONT PANEL 11
- 16-BIT AND 24-BIT RECORDING 12
- AUDIODESK 12
- DIGITAL PERFORMER 12
- OTHER HOST AUDIO SOFTWARE 12
- A COMPUTER-BASED SYSTEM 12
- Packing List and 13
- Macintosh System Requirements 13
- Installing the 896HD Hardware 15
- INSTALLING THE 896HD HARDWARE 16
- CONNECT A FOOT SWITCH 17
- USING THE 896HD WITH A MIXER 18
- MAKING SYNC CONNECTIONS 19
- DO YOU NEED A SYNCHRONIZER? 20
- SAMPLE-ACCURATE SYNC 21
- SAMPLE-ACCURATE ADAT SYNC 22
- SYNCHRONIZER 23
- Use this setup if you have: 24
- This setup provides: 24
- SYNCING OPTICAL DEVICES 25
- SYNCING AES/EBU DEVICES 26
- ■ Clock source 27
- ■ Sample rate conversion 27
- SYNCING WORD CLOCK DEVICES 29
- SYNCING LARGE SYSTEMS 30
- INTERFACES 31
- Software 33
- MOTU FireWire Audio Console 37
- (Mac OS X) 37
- 896HD SETTINGS 38
- ‘GENERAL’ TAB SETTINGS 43
- Performer 44
- MOTU FireWire Control Panel 45
- (Mac OS 9) 45
- Digital Performer 53
- DIGITAL PERFORMER 55
- TRIMMING THE ANALOG INPUTS 56
- 24-BIT OPERATION 56
- FINE-TUNING I/O TIMING 56
- SYNCHRONIZATION 57
- Performer documentation 59
- AudioDesk 61
- THE 896HD SETTINGS 62
- AUDIODESK 63
- AUDIODESK AND MIDI SEQUENCING 67
- Other Mac OS X Audio Software 69
- CHOOSING THE MOTU FIREWIRE 70
- COREAUDIO DRIVER 70
- AUDIO INPUT AND OUTPUT NAMES 71
- NUMBER OF CHANNELS 72
- USING A FOOT SWITCH 73
- OTHER MAC OS X AUDIO SOFTWARE 74
- Cubase, Nuendo and OS 9 ASIO 75
- PREPARATION 76
- THE ASIO CONTROL PANEL BUTTON 78
- ASIO DIRECT MONITORING 78
- OTHER SYSTEM DIALOG SETTINGS 79
- ACTIVATING 896HD INPUTS 79
- ASSIGNING INPUTS 80
- ASSIGNING OUTPUTS 81
- CHANGING 896HD SETTINGS 82
- Cubase VST 83
- MIDI MACHINE CONTROL (MMC) 84
- MONITORING SYSTEM PERFORMANCE 84
- Reducing Monitoring Latency 85
- MONITORING LIVE INPUT 86
- ■ Patch thru latency 88
- REDUCING MONITORING LATENCY 90
- REDUCING MONITORING LATENCY 91
- CueMix Console 93
- CUEMIX CONSOLE INSTALLATION 94
- WORKING WITH A MIX 94
- Action Result 95
- SHORTCUTS 96
- ENTIRE MIXES 96
- MESSAGE CENTER 96
- FILE MENU 96
- EDIT MENU 97
- PHONES MENU 97
- CONTROL SURFACES MENU 97
- STAND-ALONE OPERATION 99
- CUEMIX CONSOLE EXAMPLES 99
- CUEMIX CONSOLE 100
- Troubleshooting 101
- CUSTOMER SUPPORT 102
- REPLACING DISKS 102
- TECHNICAL SUPPORT 102
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