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- Table of contents
- TROUBLESHOOTING
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CUEMIX FX
104
View menu
The View menu (Figure 9-37) lets you choose how
you wish to display the audio channel(s) being
displayed.
Display options
The Axes control (Figure 9-37) sets the opacity of
the grid displayed in the graph, from 100% (fully
visible) down to 0% (fully hidden). The Show Ruler
option toggles the measurement items (see
“Measurement information” on page 106).
Pausing the display
The Pause button in the upper right corner of the
View section (Figure 9-37) allows you to freeze the
display at any time. To resume, click the button
again. The level meters will remain active while the
display is paused.
Horizontal controls (time axis)
The Horizontal controls (Figure 9-38) configure
the value range of the x-axis (time). Click and drag
the values up or down to set them, or double-click
to return to the default value.
There are two modes for the controls: Zoom/Offset
and Min/Max. To change the mode, use the
Horizontal control menu (Figure 9-38).
Figure 9-38: Horizontal control menu
In Zoom/Offset mode, Zoom sets the display zoom
from 1/1000x to 10x, where the number represents
the number of pixels per sample. For example,
when the horizontal zoom value is 10x, 10 samples
are displayed in 100 pixels; when the horizontal
zoom value is 1/10x, 100 samples are displayed in
10 pixels. Offset moves the line marking time
equals zero left or right.
In Min/Max mode, Min and Max set the earliest
and most recent displayed time.
Time Units
The Time Units sub-menu (Figure 9-38) provides
the option to view the X axis in Seconds or
Samples.
Vertical controls (amplitude axis)
The Ve r t i c a l controls (Figure 9-38) operate
similarly to the Horizontal controls, except that
they configure the y-axis (amplitude).
In Zoom/Offset mode, Zoom sets the display zoom
from 1/2 to 100x, and Offset moves the line
marking amplitude equals zero line up or down.
In Min/Max mode, Min and Max set the smallest
and largest displayed amplitude.
Waveform Recognition
The Waveform Recognition option searches
through new audio data looking for a waveform
which most resembles that which was previously
displayed. The region where this takes place is a
small window around the line marking time equals
View menu settingWhat it displays
Left Left channel only
Right Right channel only
Split screen Left channel on top; right channel on the bot-
tom
Shared Left and right on top of each other; left is
green, right is red
Add Left and right channels’ amplitudes are added
together
Subtract L-R The right channel’s amplitude is subtracted
from the left channel’s amplitude
896mk3 Hybrid book Page 104 Friday, August 19, 2011 1:44 PM
- MOTU 896mk3 Hybrid 1
- Contents 3
- Getting Started 5
- 8910111213 7
- Quick Reference: 9
- About the 896mk3 Hybrid 11
- THE 896MK3 HYBRID REAR PANEL 12
- ABOUT THE 896MK3 HYBRID 13
- THE 896MK3 HYBRID FRONT PANEL 14
- 16-BIT AND 24-BIT RECORDING 15
- MIXING AND EFFECTS 15
- INCLUDED SOFTWARE 15
- AUDIODESK 16
- DIGITAL PERFORMER 16
- OTHER HOST AUDIO SOFTWARE 16
- Packing List and 17
- System Requirements 17
- OVERVIEW 19
- INSTALLATION 19
- MOTU AUDIO DRIVER 19
- MOTU AUDIO SETUP 20
- CONNECT THE 896MK3 INTERFACE 21
- Input 48V Pad Trim 24
- CONNECT A FOOT SWITCH 25
- A TYPICAL 896MK3 SETUP 26
- MAKING SYNC CONNECTIONS 28
- SYNCING S/PDIF DEVICES 29
- SYNCING OPTICAL DEVICES 30
- SYNCING AES/EBU DEVICES 30
- ■ Clock source 31
- ■ Sample rate conversion 31
- SYNCING WORD CLOCK DEVICES 33
- SYNCING TO SMPTE TIME CODE 34
- INTERFACES 35
- Using the 39
- 896mk3 Hybrid 39
- MOTU Audio Setup 41
- ‘896MK3 HYBRID’ TAB SETTINGS 42
- MOTU AUDIO SETUP 43
- ‘GENERAL’ TAB SETTINGS 47
- Front Panel Operation 49
- COMPRESSOR 50
- PROGRAMMABLE METERS 51
- PUSH-BUTTON ROTARY ENCODERS 51
- MULTI-FUNCTION LCD DISPLAY 51
- 896MK3 SETUP MENU 52
- AUDIO MENU 53
- CUEMIX MENU 53
- FRONT PANEL OPERATION 54
- FRONT PANEL OPERATION 55
- Figure 6-12: The REVERB menu 56
- INPUTS MENU OUTPUTS MENU 57
- MIXES MENU REVERB MENU 58
- STAND-ALONE OPERATION 58
- PREPARATION 59
- RUN MOTU AUDIO SETUP 59
- REDUCING LATENCY 63
- AUDIO INPUT AND OUTPUT NAMES 63
- 24-BIT OPERATION 65
- Reducing Monitoring Latency 67
- MONITORING LIVE INPUT 68
- ■ Patch thru latency 70
- REDUCING MONITORING LATENCY 72
- CueMix FX 73
- AND REVERB 74
- AND PROCESSING 74
- CUEMIX FX INSTALLATION 75
- CUEMIX FX BASIC OPERATION 75
- THE MIXES TAB 77
- THE INPUTS TAB 79
- THE OUTPUTS TAB 81
- Figure 9-6: The Outputs tab 82
- THE CHANNEL SETTINGS SECTION 83
- Figure 9-10: The EQ tab 85
- The name of the 86
- Control unit range 87
- Slope = 6 91
- Slope = 18 91
- Slope = 36 91
- Figure 9-22: The Meters tab 94
- Figure 9-23: The Reverb tab 95
- THE MONITOR GROUP 96
- DSP METER 97
- SOLO LIGHT 97
- TALKBACK AND LISTENBACK 97
- SHORTCUTS 99
- FILE MENU 99
- EDIT MENU 100
- DEVICES MENU 100
- FFT AND SPECTROGRAM DISPLAY 100
- Pause button 102
- Display options 102
- OSCILLOSCOPE 103
- moves the line marking time 104
- moves the line 104
- Trigger indicator 105
- Trigger menu 105
- Criteria check boxes 105
- Trigger modeWhat it does 106
- Color Status 106
- CUEMIX FX 107
- CUEMIX FX 108
- X-Y PLOT 109
- PHASE ANALYSIS 112
- Figure 9-55: Filters 114
- Polar view 115
- Rectangular 115
- Inverted 115
- CONFIGURATIONS MENU 117
- TALKBACK MENU 117
- PHONES MENU 117
- CONTROL SURFACES MENU 118
- MOTU SMPTE Setup 121
- READER SECTION 122
- GENERATOR SECTION 123
- MOTU SMPTE SETUP 124
- Appendices 125
- Audio I/O reference 127
- Troubleshooting 129
- REPLACING DISCS 130
- TECHNICAL SUPPORT 130
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