MOTU 896 User's Guide Page 58
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FRONT PANEL OPERATION
58
MIXES MENU REVERB MENU
STAND-ALONE OPERATION
All settings, including all mix settings and global
settings, are saved in the 896mk3’s memory, and
they remain in effect even when the 896mk3 is not
connected to a computer. This allows you to use the
896mk3 as a stand-alone 8-bus mixer. You can
make adjustments to any setting at any time from
the front panel.
CHANNEL PAGE PARAM
MIXES
Mix 1
Mix 2
etc.
MASTER ASSIGN
MUTE
FADER
COPY
PASTE
RESET
REVERB SEND
RETURN
ANALOG 1-2
(if stereo)
MUTE
SOLO
BAL/WID
BALANCE/WIDTH
FADER
ANALOG 1
ANALOG 2
etc.
(if mono)
MUTE
SOLO
(BAL/WID) - n/a
PAN
FADER
AES 1-2 MUTE
SOLO
BAL/WID
BALANCE/WIDTH
FADER
SPDIF MUTE
SOLO
BAL/WID
BAL
FADER
ADAT A1-2
ADAT A3-4
etc.
MUTE
SOLO
BAL/WID
BALANCE/WIDTH
FADER
ADAT B1-2
ADAT B3-4
etc.
MUTE
SOLO
BAL/WID
BALANCE/WIDTH
FADER
CHANNEL PAGE PARAM
REVERB --- ENABLE
TIME
PREDELAY
WIDTH
CUT Hz
CUT dB
ROOM
REFSIZE
REF LEV
LO %
MID %
HI %
LO XOVR
HI XOVR
SPLIT
896mk3 Hybrid book Page 58 Friday, August 19, 2011 1:44 PM
- MOTU 896mk3 Hybrid 1
- Contents 3
- Getting Started 5
- 8910111213 7
- Quick Reference: 9
- About the 896mk3 Hybrid 11
- THE 896MK3 HYBRID REAR PANEL 12
- ABOUT THE 896MK3 HYBRID 13
- THE 896MK3 HYBRID FRONT PANEL 14
- 16-BIT AND 24-BIT RECORDING 15
- MIXING AND EFFECTS 15
- INCLUDED SOFTWARE 15
- AUDIODESK 16
- DIGITAL PERFORMER 16
- OTHER HOST AUDIO SOFTWARE 16
- Packing List and 17
- System Requirements 17
- OVERVIEW 19
- INSTALLATION 19
- MOTU AUDIO DRIVER 19
- MOTU AUDIO SETUP 20
- CONNECT THE 896MK3 INTERFACE 21
- Input 48V Pad Trim 24
- CONNECT A FOOT SWITCH 25
- A TYPICAL 896MK3 SETUP 26
- MAKING SYNC CONNECTIONS 28
- SYNCING S/PDIF DEVICES 29
- SYNCING OPTICAL DEVICES 30
- SYNCING AES/EBU DEVICES 30
- ■ Clock source 31
- ■ Sample rate conversion 31
- SYNCING WORD CLOCK DEVICES 33
- SYNCING TO SMPTE TIME CODE 34
- INTERFACES 35
- Using the 39
- 896mk3 Hybrid 39
- MOTU Audio Setup 41
- ‘896MK3 HYBRID’ TAB SETTINGS 42
- MOTU AUDIO SETUP 43
- ‘GENERAL’ TAB SETTINGS 47
- Front Panel Operation 49
- COMPRESSOR 50
- PROGRAMMABLE METERS 51
- PUSH-BUTTON ROTARY ENCODERS 51
- MULTI-FUNCTION LCD DISPLAY 51
- 896MK3 SETUP MENU 52
- AUDIO MENU 53
- CUEMIX MENU 53
- FRONT PANEL OPERATION 54
- FRONT PANEL OPERATION 55
- Figure 6-12: The REVERB menu 56
- INPUTS MENU OUTPUTS MENU 57
- MIXES MENU REVERB MENU 58
- STAND-ALONE OPERATION 58
- PREPARATION 59
- RUN MOTU AUDIO SETUP 59
- REDUCING LATENCY 63
- AUDIO INPUT AND OUTPUT NAMES 63
- 24-BIT OPERATION 65
- Reducing Monitoring Latency 67
- MONITORING LIVE INPUT 68
- ■ Patch thru latency 70
- REDUCING MONITORING LATENCY 72
- CueMix FX 73
- AND REVERB 74
- AND PROCESSING 74
- CUEMIX FX INSTALLATION 75
- CUEMIX FX BASIC OPERATION 75
- THE MIXES TAB 77
- THE INPUTS TAB 79
- THE OUTPUTS TAB 81
- Figure 9-6: The Outputs tab 82
- THE CHANNEL SETTINGS SECTION 83
- Figure 9-10: The EQ tab 85
- The name of the 86
- Control unit range 87
- Slope = 6 91
- Slope = 18 91
- Slope = 36 91
- Figure 9-22: The Meters tab 94
- Figure 9-23: The Reverb tab 95
- THE MONITOR GROUP 96
- DSP METER 97
- SOLO LIGHT 97
- TALKBACK AND LISTENBACK 97
- SHORTCUTS 99
- FILE MENU 99
- EDIT MENU 100
- DEVICES MENU 100
- FFT AND SPECTROGRAM DISPLAY 100
- Pause button 102
- Display options 102
- OSCILLOSCOPE 103
- moves the line marking time 104
- moves the line 104
- Trigger indicator 105
- Trigger menu 105
- Criteria check boxes 105
- Trigger modeWhat it does 106
- Color Status 106
- CUEMIX FX 107
- CUEMIX FX 108
- X-Y PLOT 109
- PHASE ANALYSIS 112
- Figure 9-55: Filters 114
- Polar view 115
- Rectangular 115
- Inverted 115
- CONFIGURATIONS MENU 117
- TALKBACK MENU 117
- PHONES MENU 117
- CONTROL SURFACES MENU 118
- MOTU SMPTE Setup 121
- READER SECTION 122
- GENERATOR SECTION 123
- MOTU SMPTE SETUP 124
- Appendices 125
- Audio I/O reference 127
- Troubleshooting 129
- REPLACING DISCS 130
- TECHNICAL SUPPORT 130
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