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CUEMIX FX
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It is precisely this self-adjusting behavior that
makes optical compressors the tool of choice for
smoothing out vocals, bass guitar and full-
program mixes without destroying perceived
dynamics.
Compressor/Limit buttons
The Comp and Limit buttons (Figure 9-21) model
the original LA-2A Limit/Compress mode switch.
The effect is very subtle, with the Limit option
behaving only slightly more like a limiter than a
compressor. The switch increases the level of the
input to the AGC model and runs the attenuator at
a slightly lower level. The Leveler then responds
more strongly to transients, but otherwise still
behaves like a leveling amplifier.
Gain Reduction
Gain Reduction (Figure 9-21) sets the strength of
the signal sent to the AGC model.
Makeup Gain
Makeup gain (Figure 9-21) amplifies the output
signal to make up for gain reduction.
Enabling or disabling the Leveler
The Leveler models the LA-2A so closely, it also
models the time it takes for an actual LA-2A to
“warm up” after it is turned on. Therefore, when
you enable the Leveler, give it a moment to “settle”
before you begin processing signals with it.
The Meters tab
The Meters tab (Figure 9-22) serves as a
comprehensive meter bridge for all inputs, outputs
and mix busses in the 896mk3. This tab gives you a
“bird’s-eye” view of all signal activity in the
896mk3; it is ideal for confirming your signal
routing programming and for troubleshooting.
Figure 9-22: The Meters tab.
Channel meter display
The channel meter display (Figure 9-22) provides a
long-throw meter for the input or output that
currently has the focus in the Input/Output tabs.
Bus activity LEDs (inputs only)
The Bus activity LEDs (Figure 9-22) are present
only for inputs. See “Input meter and bus activity
LEDs” on page 84.
Pre/post processing switch
The pre/post processing switch (Figure 9-22) affects
all input meters (and the meter in the channel
meter display above the tab, if this area is
Meters tab
Bus activity LEDs
(inputs only)
Pre/post
processing
switch
Channel meter
display
896mk3 Hybrid book Page 94 Friday, August 19, 2011 1:44 PM
- MOTU 896mk3 Hybrid 1
- Contents 3
- Getting Started 5
- 8910111213 7
- Quick Reference: 9
- About the 896mk3 Hybrid 11
- THE 896MK3 HYBRID REAR PANEL 12
- ABOUT THE 896MK3 HYBRID 13
- THE 896MK3 HYBRID FRONT PANEL 14
- 16-BIT AND 24-BIT RECORDING 15
- MIXING AND EFFECTS 15
- INCLUDED SOFTWARE 15
- AUDIODESK 16
- DIGITAL PERFORMER 16
- OTHER HOST AUDIO SOFTWARE 16
- Packing List and 17
- System Requirements 17
- OVERVIEW 19
- INSTALLATION 19
- MOTU AUDIO DRIVER 19
- MOTU AUDIO SETUP 20
- CONNECT THE 896MK3 INTERFACE 21
- Input 48V Pad Trim 24
- CONNECT A FOOT SWITCH 25
- A TYPICAL 896MK3 SETUP 26
- MAKING SYNC CONNECTIONS 28
- SYNCING S/PDIF DEVICES 29
- SYNCING OPTICAL DEVICES 30
- SYNCING AES/EBU DEVICES 30
- ■ Clock source 31
- ■ Sample rate conversion 31
- SYNCING WORD CLOCK DEVICES 33
- SYNCING TO SMPTE TIME CODE 34
- INTERFACES 35
- Using the 39
- 896mk3 Hybrid 39
- MOTU Audio Setup 41
- ‘896MK3 HYBRID’ TAB SETTINGS 42
- MOTU AUDIO SETUP 43
- ‘GENERAL’ TAB SETTINGS 47
- Front Panel Operation 49
- COMPRESSOR 50
- PROGRAMMABLE METERS 51
- PUSH-BUTTON ROTARY ENCODERS 51
- MULTI-FUNCTION LCD DISPLAY 51
- 896MK3 SETUP MENU 52
- AUDIO MENU 53
- CUEMIX MENU 53
- FRONT PANEL OPERATION 54
- FRONT PANEL OPERATION 55
- Figure 6-12: The REVERB menu 56
- INPUTS MENU OUTPUTS MENU 57
- MIXES MENU REVERB MENU 58
- STAND-ALONE OPERATION 58
- PREPARATION 59
- RUN MOTU AUDIO SETUP 59
- REDUCING LATENCY 63
- AUDIO INPUT AND OUTPUT NAMES 63
- 24-BIT OPERATION 65
- Reducing Monitoring Latency 67
- MONITORING LIVE INPUT 68
- ■ Patch thru latency 70
- REDUCING MONITORING LATENCY 72
- CueMix FX 73
- AND REVERB 74
- AND PROCESSING 74
- CUEMIX FX INSTALLATION 75
- CUEMIX FX BASIC OPERATION 75
- THE MIXES TAB 77
- THE INPUTS TAB 79
- THE OUTPUTS TAB 81
- Figure 9-6: The Outputs tab 82
- THE CHANNEL SETTINGS SECTION 83
- Figure 9-10: The EQ tab 85
- The name of the 86
- Control unit range 87
- Slope = 6 91
- Slope = 18 91
- Slope = 36 91
- Figure 9-22: The Meters tab 94
- Figure 9-23: The Reverb tab 95
- THE MONITOR GROUP 96
- DSP METER 97
- SOLO LIGHT 97
- TALKBACK AND LISTENBACK 97
- SHORTCUTS 99
- FILE MENU 99
- EDIT MENU 100
- DEVICES MENU 100
- FFT AND SPECTROGRAM DISPLAY 100
- Pause button 102
- Display options 102
- OSCILLOSCOPE 103
- moves the line marking time 104
- moves the line 104
- Trigger indicator 105
- Trigger menu 105
- Criteria check boxes 105
- Trigger modeWhat it does 106
- Color Status 106
- CUEMIX FX 107
- CUEMIX FX 108
- X-Y PLOT 109
- PHASE ANALYSIS 112
- Figure 9-55: Filters 114
- Polar view 115
- Rectangular 115
- Inverted 115
- CONFIGURATIONS MENU 117
- TALKBACK MENU 117
- PHONES MENU 117
- CONTROL SURFACES MENU 118
- MOTU SMPTE Setup 121
- READER SECTION 122
- GENERATOR SECTION 123
- MOTU SMPTE SETUP 124
- Appendices 125
- Audio I/O reference 127
- Troubleshooting 129
- REPLACING DISCS 130
- TECHNICAL SUPPORT 130
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