MOTU 896HD User's Guide Page 41
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MOTU FIREWIRE AUDIO CONSOLE (MAC OS X)
41
Figure 5-2: The Mac OS X sound preferences let you use the 896HD for
general stereo audio input and output for your Mac.
The Default Stereo Input and Default Stereo Output
settings in the MOTU FireWire Console
(Figure 5-1 on page 38) let you specify the stereo
input and output on the 896HD to be used when it
is chosen as the audio I/O device in the system
preferences.
☛ Note: The Default Stereo Input/Output
settings have the following system software
requirements:
■ Mac OS X 10.2.x together with QuickTime 6.4
OR
■ Mac OS X 10.3 (aka Panther) or later
If your Macintosh system software does not meet
these minimum requirements, the Default Stereo
Input/Output options do not appear in the MOTU
FireWire Console window.
Optical input/output
The Optical input and Optical output settings let
you choose between ADAT (‘lightpipe’) or OFF.
Tur n in g it of f f re es up FireWire bandwidth. In
other words, it opens up resources on the FireWire
bus for other devices connected via FireWire.
Phones
The Phones setting lets you choose what you will
hear from the headphone jack. Choose Main Outs
if you’d like the headphone output to match the
main outs. Choose Phones if you would like the
headphones to serve as their own independent
output, which you can access as an independent
output destination in your host audio software and
as an output destination for the four on-board
CueMix DSP mix busses.
At the 4x sample rates (176.4 and 192kHz), the
headphone output can be assigned to any analog
output pair or the Phones setting, as described
above. But at the 4x sample rates, the Phones
output is not available as an output destination for
software on the computer. Instead, it is only
available as a destination for the two CueMix DSP
mixes. In other words, it can only take CueMix
inputs.
Sample Rate Conversion
This option lets you control AES/EBU sample rate
conversion. Sample rate conversion is available
when the 896HD is operating at the 1x sample rates
(44.1 and 48kHz) or the 2x sample rates (88.2 or
96kHz). AES/EBU is disabled entirely at the 4x
samples rates (176.4 and 192kHz). Each option is
explained below.
- MOTU 896HD 1
- Contents 3
- Quick Reference: 7
- About the 896HD 9
- Connection Input Output 10
- Total 18 22 10
- THE 896HD FRONT PANEL 11
- 16-BIT AND 24-BIT RECORDING 12
- AUDIODESK 12
- DIGITAL PERFORMER 12
- OTHER HOST AUDIO SOFTWARE 12
- A COMPUTER-BASED SYSTEM 12
- Packing List and 13
- Macintosh System Requirements 13
- Installing the 896HD Hardware 15
- INSTALLING THE 896HD HARDWARE 16
- CONNECT A FOOT SWITCH 17
- USING THE 896HD WITH A MIXER 18
- MAKING SYNC CONNECTIONS 19
- DO YOU NEED A SYNCHRONIZER? 20
- SAMPLE-ACCURATE SYNC 21
- SAMPLE-ACCURATE ADAT SYNC 22
- SYNCHRONIZER 23
- Use this setup if you have: 24
- This setup provides: 24
- SYNCING OPTICAL DEVICES 25
- SYNCING AES/EBU DEVICES 26
- ■ Clock source 27
- ■ Sample rate conversion 27
- SYNCING WORD CLOCK DEVICES 29
- SYNCING LARGE SYSTEMS 30
- INTERFACES 31
- Software 33
- MOTU FireWire Audio Console 37
- (Mac OS X) 37
- 896HD SETTINGS 38
- ‘GENERAL’ TAB SETTINGS 43
- Performer 44
- MOTU FireWire Control Panel 45
- (Mac OS 9) 45
- Digital Performer 53
- DIGITAL PERFORMER 55
- TRIMMING THE ANALOG INPUTS 56
- 24-BIT OPERATION 56
- FINE-TUNING I/O TIMING 56
- SYNCHRONIZATION 57
- Performer documentation 59
- AudioDesk 61
- THE 896HD SETTINGS 62
- AUDIODESK 63
- AUDIODESK AND MIDI SEQUENCING 67
- Other Mac OS X Audio Software 69
- CHOOSING THE MOTU FIREWIRE 70
- COREAUDIO DRIVER 70
- AUDIO INPUT AND OUTPUT NAMES 71
- NUMBER OF CHANNELS 72
- USING A FOOT SWITCH 73
- OTHER MAC OS X AUDIO SOFTWARE 74
- Cubase, Nuendo and OS 9 ASIO 75
- PREPARATION 76
- THE ASIO CONTROL PANEL BUTTON 78
- ASIO DIRECT MONITORING 78
- OTHER SYSTEM DIALOG SETTINGS 79
- ACTIVATING 896HD INPUTS 79
- ASSIGNING INPUTS 80
- ASSIGNING OUTPUTS 81
- CHANGING 896HD SETTINGS 82
- Cubase VST 83
- MIDI MACHINE CONTROL (MMC) 84
- MONITORING SYSTEM PERFORMANCE 84
- Reducing Monitoring Latency 85
- MONITORING LIVE INPUT 86
- ■ Patch thru latency 88
- REDUCING MONITORING LATENCY 90
- REDUCING MONITORING LATENCY 91
- CueMix Console 93
- CUEMIX CONSOLE INSTALLATION 94
- WORKING WITH A MIX 94
- Action Result 95
- SHORTCUTS 96
- ENTIRE MIXES 96
- MESSAGE CENTER 96
- FILE MENU 96
- EDIT MENU 97
- PHONES MENU 97
- CONTROL SURFACES MENU 97
- STAND-ALONE OPERATION 99
- CUEMIX CONSOLE EXAMPLES 99
- CUEMIX CONSOLE 100
- Troubleshooting 101
- CUSTOMER SUPPORT 102
- REPLACING DISKS 102
- TECHNICAL SUPPORT 102
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