MOTU Digital Timepiece Instruction Manual Page 100
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USING MIDI TIMEPIECE AV CONSOLE
98
tracks on your video deck, and selecting
INTERNAL/VIDEO as the sync mode, you can re-
stripe the tape with frame-lock accuracy.
If it doesn’t really matter to you that the time code
is not frame-locked, you can simply lock the MIDI
Timepiece AV to the SMPTE time code in LTC
mode (instead of LTC/VIDEO), which will provide
consistent, reliable sync.
Play (green arrow)
This status indicator (displayed in the MIDI
Timepiece AV front panel LCD as the current
sample rate, e.g. 48000 or 441000) means that the
MIDI Timepiece AV is generating or converting
SMPTE time code.
Stop (red box)
This status indicator means that the MIDI
Timepiece AV is not currently converting or
generating time code. On the front panel LCD, this
indicator also means that the MIDI Timepiece AV
has successfully locked to a time base.
Time base source
This indicator displays either internal or external
time base.
Sample rate
This status indicator shows the actual sample rate
being generated by the MIDI Timepiece AV based
on the current time base (either internal or
external). This display shows the number of
samples being generated per second (in kHz, e.g.
48.000 kHz). It allows you to measure how accurate
external time base sources are (such as video or
LTC). It is also affected by the sample rate settings
in the MIDI Timepiece AV, so it can help you chase
down discrepancies with pull-up and pull-down
samples rates.
THE ADVANCED MIDI WINDOW
The Advanced MIDI window, shown in
Figure 10-18, has several settings that are explained
in the following sections.
Figure 10-18: The Advanced MIDI window.
MIDI Machine Control options
These options turn on and off the MIDI Machine
Control features of the MIDI Timepiece AV. Most
of the time, you’ll want to control the transports of
all your gear from the computer. So leave the
“Transport master” option checked. In this
scenario, the computer is a synchronization slave
in most cases, as it slaves to MIDI Time Code
(MTC) generated by the MIDI Timepiece AV. So
leave the “Synchronization slave” option checked as
well.
MIDI Machine Identification options
If you are using MIDI Machine Control, each
MMC device requires a unique MMC device ID,
including the MIDI Timepiece AV itself. For
convenience, the MIDI Timepiece AV
automatically sets the device ID’s of all ADATs
chained off of its ADAT sync port. This means that
you don’t have to do anything in regard to setting
the device ID’s of your ADATs. The factory default
!USB Interfaces Manual Book Page 98 Tuesday, October 10, 2000 12:43 PM
- Composite 1
- Warranty on Software 2
- Limited Warranty on Hardware 2
- MOTU USB MIDI Interfaces 3
- Contents 5
- For All Users 7
- All Users 8
- Packing List and 9
- Computer Requirements 9
- FOR ALL MOTU INTERFACE MODELS 11
- FOR MIDI TIMEPIECE AV USERS 11
- CONNECTING THE POWER CORD 11
- CONNECTING A USB COMPUTER 11
- CONNECTING MIDI GEAR 11
- MIDI CONNECTIONS WORKSHEET 13
- CONNECTING ADATS 16
- CONNECTING VIDEO 16
- CONNECTING WORD CLOCK 17
- CONNECTING AN ALESIS LRC 17
- CONNECTING A MACINTOSH 18
- WHAT NEXT? 19
- WHAT GETS INSTALLED? 21
- WHERE TO GO NEXT 21
- SMPTE Sync and MMC with a 23
- Windows Sequencer 23
- SLAVING A SEQUENCER TO SMPTE 24
- FOR FURTHER INFORMATION 25
- For XT & Micro Users 27
- XT& Micro Users 28
- Working with Presets 29
- WORKING WITH PRESETS 30
- Express XT and micro express 30
- WORKING WITH PRESETS 31
- USER PRESETS 32
- Using Micro Express Console 33
- THE TOOLBAR 34
- SMPTE frame rate 35
- WINDOWS MIDI PORTS 36
- MIDI ROUTING WINDOW 37
- USING MICRO EXPRESS CONSOLE 38
- USING MICRO EXPRESS CONSOLE 39
- FILTER WINDOW 41
- CHANNEL MAP WINDOW 42
- SYNC WINDOW 43
- TOOLBAR SYNC DISPLAY 46
- PEDAL WINDOW 48
- MAKING CLICK-TO-MIDI SETTINGS 50
- Using MIDI Express XT Console 53
- USING MIDI EXPRESS XT CONSOLE 58
- SMPTE Synchronization 73
- SMPTE SYNCHRONIZATION 74
- LTC MODE 76
- MTC MODE 77
- MIDI Machine Control 79
- SETTING MMC DEVICE ID’S 80
- SETTING UP OTHER MMC DEVICES 80
- SETTING UP A HARDWARE MMC 80
- CONTROLLER 80
- MIDI MACHINE CONTROL 81
- Part III 83
- For MTP AV Users 83
- MPT AV Users 84
- THE ADVANCED MIDI WINDOW 100
- WORKING WITH SETUPS 101
- Using the Front Panel LCD 103
- JAM SMPTE 104
- WORKING WITH BASE SETUPS 106
- BaseSetup 1 N 107
- BASE-SETUP 1 107
- Basic Studio YE 107
- WRITE OVER 1 107
- MAKING THE GLOBAL HARDWARE 109
- SETTINGS 109
- PERFORMING A MIDI DATA DUMP 110
- USING THE SMPTE CONTROLS 110
- D +00:00:00/00 E 112
- THRESHOLD 10 114
- CLICK DECAY 10 E 114
- MIDI ROUTING 116
- MUTING MIDI DATA 116
- MIDI CHANNEL MAP 116
- OUT CHANEL REMAP 117
- OUT_1CH 7 TO 1 117
- MIDI cannon 118
- Console 118
- Synchronization with the AV 119
- CHOOSING A MASTER SYNC MODE 120
- SYNCHRONIZATION WITH THE AV 121
- LOCKING TO VIDEO 122
- SLAVING ADATS 124
- SLAVING A MOTU 2408 SYSTEM 124
- Component 125
- Setting for the 125
- ADAT sync scenario 125
- I Timepiece AV a certain 127
- SYNCHRONIZATION WITH THE AV 128
- ” (starting frame) — the 131
- OVERVIEW 133
- HOW MMC WORKS 133
- MMC device ID # 134
- MTP-AV 20 E 134
- adat 1 E 134
- MMC REMOTE CONTROL OF RECORD 136
- FUNCTIONS 136
- MMC ROUTING EXAMPLE 136
- A-_ 0 B-_ 0 E 137
- PEDAL TYPE 138
- PEDAL B>LRC E 138
- Appendices 141
- Glossary 143
- APPENDIX A: GLOSSARY 144
- APPENDIX A: GLOSSARY 145
- SMPTE Synchronization Basics 147
- WHAT IS LTC? 148
- WHAT IS VITC? 148
- THE BENEFITS OF VITC OVER LTC 148
- SHOULD I USE LTC OR VITC? 148
- FRAME RATES 148
- WHAT IS DROP FRAME? 149
- WHY DOES DROP FRAME EXIST? 149
- SHOULD I USE DROP FRAME? 149
- Troubleshooting and Customer 151
- TROUBLESHOOTING 152
- CUSTOMER SUPPORT 152
- REPLACING DISKS 152
- TECHNICAL SUPPORT 152
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