MOTU Digital Timepiece Instruction Manual Page 36
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USING MICRO EXPRESS CONSOLE
34
WINDOWS MIDI PORTS
As for data arriving and leaving your computer via
the included Windows MIDI driver, imagine it
coming a going from the Micro Express data bus as
shown in Figure 6-5. All channelizing and filtering
is applied before the input data arrives at any
software input port and after it is sent from any
software output port. This is a great advantage as it
frees up your computer and MIDI software from
having to deal with the mundane (and time-
consuming) chore of such processing. Just
configure your Micro Express and let it do all the
work!
Once you get the Micro Express Windows MIDI
driver installed, you’ll notice that all four Micro
Express inputs and outputs are available to your
MIDI programs.
Figure 6-6: Micro Express ports in Cakewalk Pro.
Sync Port
You’ll also see several other special Micro Express
ports in addition to its regular MIDI ports. The
first is the “Sync” input port where all MIDI real
time and MIDI Time Code messages will arrive,
regardless of where the Micro Express received
them from. All other received data will arrive at the
other input ports as appropriate.
☛ At no time will MIDI real time or MIDI Time
Code messages arrive on any of other Micro
Express Windows input port besides the special
“sync port”.
Out All port
You’ll also see a port called “Out All”. This port will
also appear in your MIDI programs, allowing you
to send the same MIDI data out all the Micro
Express’s output ports at once.
MIDI ports and the Micro Express console
You do not need to have the Console running in
Windows to use the Micro Express with your other
MIDI software. Also, as the Console does not
compete with other MIDI applications for the
Windows MIDI ports, you can freely open and
close the Console to make adjustments or simply
check the current settings.
Micro Express
data bus
Channel
mapping
Windows MIDI Ports
(Computer)
MDI OUT
Channel
mapping
Event filtering Event filtering
MDI IN
Figure 6-5: Micro Express internal MIDI data
processing sequence.
!USB Interfaces Manual Book Page 34 Tuesday, October 10, 2000 12:43 PM
- Composite 1
- Warranty on Software 2
- Limited Warranty on Hardware 2
- MOTU USB MIDI Interfaces 3
- Contents 5
- For All Users 7
- All Users 8
- Packing List and 9
- Computer Requirements 9
- FOR ALL MOTU INTERFACE MODELS 11
- FOR MIDI TIMEPIECE AV USERS 11
- CONNECTING THE POWER CORD 11
- CONNECTING A USB COMPUTER 11
- CONNECTING MIDI GEAR 11
- MIDI CONNECTIONS WORKSHEET 13
- CONNECTING ADATS 16
- CONNECTING VIDEO 16
- CONNECTING WORD CLOCK 17
- CONNECTING AN ALESIS LRC 17
- CONNECTING A MACINTOSH 18
- WHAT NEXT? 19
- WHAT GETS INSTALLED? 21
- WHERE TO GO NEXT 21
- SMPTE Sync and MMC with a 23
- Windows Sequencer 23
- SLAVING A SEQUENCER TO SMPTE 24
- FOR FURTHER INFORMATION 25
- For XT & Micro Users 27
- XT& Micro Users 28
- Working with Presets 29
- WORKING WITH PRESETS 30
- Express XT and micro express 30
- WORKING WITH PRESETS 31
- USER PRESETS 32
- Using Micro Express Console 33
- THE TOOLBAR 34
- SMPTE frame rate 35
- WINDOWS MIDI PORTS 36
- MIDI ROUTING WINDOW 37
- USING MICRO EXPRESS CONSOLE 38
- USING MICRO EXPRESS CONSOLE 39
- FILTER WINDOW 41
- CHANNEL MAP WINDOW 42
- SYNC WINDOW 43
- TOOLBAR SYNC DISPLAY 46
- PEDAL WINDOW 48
- MAKING CLICK-TO-MIDI SETTINGS 50
- Using MIDI Express XT Console 53
- USING MIDI EXPRESS XT CONSOLE 58
- SMPTE Synchronization 73
- SMPTE SYNCHRONIZATION 74
- LTC MODE 76
- MTC MODE 77
- MIDI Machine Control 79
- SETTING MMC DEVICE ID’S 80
- SETTING UP OTHER MMC DEVICES 80
- SETTING UP A HARDWARE MMC 80
- CONTROLLER 80
- MIDI MACHINE CONTROL 81
- Part III 83
- For MTP AV Users 83
- MPT AV Users 84
- THE ADVANCED MIDI WINDOW 100
- WORKING WITH SETUPS 101
- Using the Front Panel LCD 103
- JAM SMPTE 104
- WORKING WITH BASE SETUPS 106
- BaseSetup 1 N 107
- BASE-SETUP 1 107
- Basic Studio YE 107
- WRITE OVER 1 107
- MAKING THE GLOBAL HARDWARE 109
- SETTINGS 109
- PERFORMING A MIDI DATA DUMP 110
- USING THE SMPTE CONTROLS 110
- D +00:00:00/00 E 112
- THRESHOLD 10 114
- CLICK DECAY 10 E 114
- MIDI ROUTING 116
- MUTING MIDI DATA 116
- MIDI CHANNEL MAP 116
- OUT CHANEL REMAP 117
- OUT_1CH 7 TO 1 117
- MIDI cannon 118
- Console 118
- Synchronization with the AV 119
- CHOOSING A MASTER SYNC MODE 120
- SYNCHRONIZATION WITH THE AV 121
- LOCKING TO VIDEO 122
- SLAVING ADATS 124
- SLAVING A MOTU 2408 SYSTEM 124
- Component 125
- Setting for the 125
- ADAT sync scenario 125
- I Timepiece AV a certain 127
- SYNCHRONIZATION WITH THE AV 128
- ” (starting frame) — the 131
- OVERVIEW 133
- HOW MMC WORKS 133
- MMC device ID # 134
- MTP-AV 20 E 134
- adat 1 E 134
- MMC REMOTE CONTROL OF RECORD 136
- FUNCTIONS 136
- MMC ROUTING EXAMPLE 136
- A-_ 0 B-_ 0 E 137
- PEDAL TYPE 138
- PEDAL B>LRC E 138
- Appendices 141
- Glossary 143
- APPENDIX A: GLOSSARY 144
- APPENDIX A: GLOSSARY 145
- SMPTE Synchronization Basics 147
- WHAT IS LTC? 148
- WHAT IS VITC? 148
- THE BENEFITS OF VITC OVER LTC 148
- SHOULD I USE LTC OR VITC? 148
- FRAME RATES 148
- WHAT IS DROP FRAME? 149
- WHY DOES DROP FRAME EXIST? 149
- SHOULD I USE DROP FRAME? 149
- Troubleshooting and Customer 151
- TROUBLESHOOTING 152
- CUSTOMER SUPPORT 152
- REPLACING DISKS 152
- TECHNICAL SUPPORT 152
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