MOTU Digital Timepiece Instruction Manual Page 137
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MIDI MACHINE CONTROL WITH THE AV
135
■ Roland VS-880 hard disk recorder
The MIDI Timepiece AV master sync mode is set
to INTERNAL. It is being shuttled by either the
CuePoint or Cakewalk Pro Audio.
Figure 13-2 and Figure 13-3 show the computer,
MTC, and MMC connections needed to control
everything from either Cakewalk Pro Audio or the
CuePoint. This setup allows you to use either one
interchangeably as your transport master controls,
without having to change any settings when
switching between them. Cakewalk Pro Audio is
slaving to MTC from the MIDI TimePiece AV,
while at the same time issuing MMC transport
commands to the MIDI Timepiece AV.
Figure 13-2: A typical routing configuration for MIDI Machine
control. Here, the CuePoint is being routed to the MIDI Timepiece AV’s
MTC In port so that the AV will respond to MMC transport commands
from the CuePoint. In turn, the AV, which is in INTERNAL sync mode, is
redistributing MTC to the Akai DR8 and Roland VS-880 hard disk
recorders.
Figure 13-3: When the “synchronization slave” option is checked,
MIDI Time Code is being routed to the computer so that Cakewalk Pro
Audio can slave to it. The “transport master” option routes MMC from
Cakewalk Pro Audio (on the computer) to the MIDI Timepiece AV.
USING AN ALESIS LRC
The MIDI Timepiece AV pedal B jack on the front
panel doubles as a connector for an Alesis LRC
(Little Remote Control). An LRC can be used as a
transport controller for the MIDI Timepiece AV or
other MMC devices connected to its MIDI ports.
To use an Alesis LRC or compatible controller with
the MIDI Timepiece AV:
1 Plug the LRC into the front panel LRC jack.
2 On the MIDI Timepiece AV front panel, use the
WINDOW knob to go to the PEDALS menu.
3 Turn the CURSOR knob one click clockwise to
the PEDAL TYPE window.
4 Use the SELECT knob to choose PEDAL B and
use the VALUE knob to choose LRC.
PEDALS
A-_ 0 B-_ 0 E
!USB Interfaces Manual Book Page 135 Tuesday, October 10, 2000 12:43 PM
- Composite 1
- Warranty on Software 2
- Limited Warranty on Hardware 2
- MOTU USB MIDI Interfaces 3
- Contents 5
- For All Users 7
- All Users 8
- Packing List and 9
- Computer Requirements 9
- FOR ALL MOTU INTERFACE MODELS 11
- FOR MIDI TIMEPIECE AV USERS 11
- CONNECTING THE POWER CORD 11
- CONNECTING A USB COMPUTER 11
- CONNECTING MIDI GEAR 11
- MIDI CONNECTIONS WORKSHEET 13
- CONNECTING ADATS 16
- CONNECTING VIDEO 16
- CONNECTING WORD CLOCK 17
- CONNECTING AN ALESIS LRC 17
- CONNECTING A MACINTOSH 18
- WHAT NEXT? 19
- WHAT GETS INSTALLED? 21
- WHERE TO GO NEXT 21
- SMPTE Sync and MMC with a 23
- Windows Sequencer 23
- SLAVING A SEQUENCER TO SMPTE 24
- FOR FURTHER INFORMATION 25
- For XT & Micro Users 27
- XT& Micro Users 28
- Working with Presets 29
- WORKING WITH PRESETS 30
- Express XT and micro express 30
- WORKING WITH PRESETS 31
- USER PRESETS 32
- Using Micro Express Console 33
- THE TOOLBAR 34
- SMPTE frame rate 35
- WINDOWS MIDI PORTS 36
- MIDI ROUTING WINDOW 37
- USING MICRO EXPRESS CONSOLE 38
- USING MICRO EXPRESS CONSOLE 39
- FILTER WINDOW 41
- CHANNEL MAP WINDOW 42
- SYNC WINDOW 43
- TOOLBAR SYNC DISPLAY 46
- PEDAL WINDOW 48
- MAKING CLICK-TO-MIDI SETTINGS 50
- Using MIDI Express XT Console 53
- USING MIDI EXPRESS XT CONSOLE 58
- SMPTE Synchronization 73
- SMPTE SYNCHRONIZATION 74
- LTC MODE 76
- MTC MODE 77
- MIDI Machine Control 79
- SETTING MMC DEVICE ID’S 80
- SETTING UP OTHER MMC DEVICES 80
- SETTING UP A HARDWARE MMC 80
- CONTROLLER 80
- MIDI MACHINE CONTROL 81
- Part III 83
- For MTP AV Users 83
- MPT AV Users 84
- THE ADVANCED MIDI WINDOW 100
- WORKING WITH SETUPS 101
- Using the Front Panel LCD 103
- JAM SMPTE 104
- WORKING WITH BASE SETUPS 106
- BaseSetup 1 N 107
- BASE-SETUP 1 107
- Basic Studio YE 107
- WRITE OVER 1 107
- MAKING THE GLOBAL HARDWARE 109
- SETTINGS 109
- PERFORMING A MIDI DATA DUMP 110
- USING THE SMPTE CONTROLS 110
- D +00:00:00/00 E 112
- THRESHOLD 10 114
- CLICK DECAY 10 E 114
- MIDI ROUTING 116
- MUTING MIDI DATA 116
- MIDI CHANNEL MAP 116
- OUT CHANEL REMAP 117
- OUT_1CH 7 TO 1 117
- MIDI cannon 118
- Console 118
- Synchronization with the AV 119
- CHOOSING A MASTER SYNC MODE 120
- SYNCHRONIZATION WITH THE AV 121
- LOCKING TO VIDEO 122
- SLAVING ADATS 124
- SLAVING A MOTU 2408 SYSTEM 124
- Component 125
- Setting for the 125
- ADAT sync scenario 125
- I Timepiece AV a certain 127
- SYNCHRONIZATION WITH THE AV 128
- ” (starting frame) — the 131
- OVERVIEW 133
- HOW MMC WORKS 133
- MMC device ID # 134
- MTP-AV 20 E 134
- adat 1 E 134
- MMC REMOTE CONTROL OF RECORD 136
- FUNCTIONS 136
- MMC ROUTING EXAMPLE 136
- A-_ 0 B-_ 0 E 137
- PEDAL TYPE 138
- PEDAL B>LRC E 138
- Appendices 141
- Glossary 143
- APPENDIX A: GLOSSARY 144
- APPENDIX A: GLOSSARY 145
- SMPTE Synchronization Basics 147
- WHAT IS LTC? 148
- WHAT IS VITC? 148
- THE BENEFITS OF VITC OVER LTC 148
- SHOULD I USE LTC OR VITC? 148
- FRAME RATES 148
- WHAT IS DROP FRAME? 149
- WHY DOES DROP FRAME EXIST? 149
- SHOULD I USE DROP FRAME? 149
- Troubleshooting and Customer 151
- TROUBLESHOOTING 152
- CUSTOMER SUPPORT 152
- REPLACING DISKS 152
- TECHNICAL SUPPORT 152
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