MOTU Digital Timepiece Instruction Manual Page 37
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USING MICRO EXPRESS CONSOLE
35
MIDI ROUTING WINDOW
The MIDI Routing window is the control center for
routing and processing MIDI data with your Micro
Express. Although your computer will always be
able to receive MIDI data from the four inputs and
send data to the six outputs with your Windows
MIDI sequencing software, the Console has the
ability to configure the Micro Express to internally
route MIDI data from any input to any
combination of outputs. The MIDI Routing
window also allows you to route MIDI Time Code
(converted from incoming SMPTE or generated
“fresh”) to any of the six outputs. Additionally, you
can individually rechannelize and filter (apply an
event filter) any type of incoming or outgoing
MIDI data on each input and output.
The processing sequence described Figure 6-5 on
page 34 is conveniently represented in the layout of
the MIDI Routing window. The MIDI data flow
proceeds from left to right. MIDI inputs, or sources,
are represented on the left by the input port and
clock (for MIDI Time Code converted from
SMPTE) icons. MIDI outputs, or destinations, are
represented on the right by the output port icons.
Port-to-port routings are represented by extended
arrows going from sources to destinations. The
processing options (filtering and channelizing) are
represented by the four buttons along the top of the
window. You can clearly see the logical processing
order with this layout as shown in Figure 6-7.
Figure 6-7: The MIDI Routing window with a source and
destination selected.
input
filter
button
input
channel map
button
MIDI
“data bus”
source icons routing connections destination
icons
channels
being routed
output
channel map
button
output
filter
button
advanced
MIDI settings
deletes all current connections
or any source connections
drag-and-dropped to it
!USB Interfaces Manual Book Page 35 Tuesday, October 10, 2000 12:43 PM
- Composite 1
- Warranty on Software 2
- Limited Warranty on Hardware 2
- MOTU USB MIDI Interfaces 3
- Contents 5
- For All Users 7
- All Users 8
- Packing List and 9
- Computer Requirements 9
- FOR ALL MOTU INTERFACE MODELS 11
- FOR MIDI TIMEPIECE AV USERS 11
- CONNECTING THE POWER CORD 11
- CONNECTING A USB COMPUTER 11
- CONNECTING MIDI GEAR 11
- MIDI CONNECTIONS WORKSHEET 13
- CONNECTING ADATS 16
- CONNECTING VIDEO 16
- CONNECTING WORD CLOCK 17
- CONNECTING AN ALESIS LRC 17
- CONNECTING A MACINTOSH 18
- WHAT NEXT? 19
- WHAT GETS INSTALLED? 21
- WHERE TO GO NEXT 21
- SMPTE Sync and MMC with a 23
- Windows Sequencer 23
- SLAVING A SEQUENCER TO SMPTE 24
- FOR FURTHER INFORMATION 25
- For XT & Micro Users 27
- XT& Micro Users 28
- Working with Presets 29
- WORKING WITH PRESETS 30
- Express XT and micro express 30
- WORKING WITH PRESETS 31
- USER PRESETS 32
- Using Micro Express Console 33
- THE TOOLBAR 34
- SMPTE frame rate 35
- WINDOWS MIDI PORTS 36
- MIDI ROUTING WINDOW 37
- USING MICRO EXPRESS CONSOLE 38
- USING MICRO EXPRESS CONSOLE 39
- FILTER WINDOW 41
- CHANNEL MAP WINDOW 42
- SYNC WINDOW 43
- TOOLBAR SYNC DISPLAY 46
- PEDAL WINDOW 48
- MAKING CLICK-TO-MIDI SETTINGS 50
- Using MIDI Express XT Console 53
- USING MIDI EXPRESS XT CONSOLE 58
- SMPTE Synchronization 73
- SMPTE SYNCHRONIZATION 74
- LTC MODE 76
- MTC MODE 77
- MIDI Machine Control 79
- SETTING MMC DEVICE ID’S 80
- SETTING UP OTHER MMC DEVICES 80
- SETTING UP A HARDWARE MMC 80
- CONTROLLER 80
- MIDI MACHINE CONTROL 81
- Part III 83
- For MTP AV Users 83
- MPT AV Users 84
- THE ADVANCED MIDI WINDOW 100
- WORKING WITH SETUPS 101
- Using the Front Panel LCD 103
- JAM SMPTE 104
- WORKING WITH BASE SETUPS 106
- BaseSetup 1 N 107
- BASE-SETUP 1 107
- Basic Studio YE 107
- WRITE OVER 1 107
- MAKING THE GLOBAL HARDWARE 109
- SETTINGS 109
- PERFORMING A MIDI DATA DUMP 110
- USING THE SMPTE CONTROLS 110
- D +00:00:00/00 E 112
- THRESHOLD 10 114
- CLICK DECAY 10 E 114
- MIDI ROUTING 116
- MUTING MIDI DATA 116
- MIDI CHANNEL MAP 116
- OUT CHANEL REMAP 117
- OUT_1CH 7 TO 1 117
- MIDI cannon 118
- Console 118
- Synchronization with the AV 119
- CHOOSING A MASTER SYNC MODE 120
- SYNCHRONIZATION WITH THE AV 121
- LOCKING TO VIDEO 122
- SLAVING ADATS 124
- SLAVING A MOTU 2408 SYSTEM 124
- Component 125
- Setting for the 125
- ADAT sync scenario 125
- I Timepiece AV a certain 127
- SYNCHRONIZATION WITH THE AV 128
- ” (starting frame) — the 131
- OVERVIEW 133
- HOW MMC WORKS 133
- MMC device ID # 134
- MTP-AV 20 E 134
- adat 1 E 134
- MMC REMOTE CONTROL OF RECORD 136
- FUNCTIONS 136
- MMC ROUTING EXAMPLE 136
- A-_ 0 B-_ 0 E 137
- PEDAL TYPE 138
- PEDAL B>LRC E 138
- Appendices 141
- Glossary 143
- APPENDIX A: GLOSSARY 144
- APPENDIX A: GLOSSARY 145
- SMPTE Synchronization Basics 147
- WHAT IS LTC? 148
- WHAT IS VITC? 148
- THE BENEFITS OF VITC OVER LTC 148
- SHOULD I USE LTC OR VITC? 148
- FRAME RATES 148
- WHAT IS DROP FRAME? 149
- WHY DOES DROP FRAME EXIST? 149
- SHOULD I USE DROP FRAME? 149
- Troubleshooting and Customer 151
- TROUBLESHOOTING 152
- CUSTOMER SUPPORT 152
- REPLACING DISKS 152
- TECHNICAL SUPPORT 152
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